The season closes on three artists working in the representational tradition who each pull something quieter underneath. Swain paints hyper-realistic subjects floating on textured abstract grounds — what he calls "a balance between chaos and control." DiBenedetto paints classical still life — lemons, cherries, bird's nests, folded petals — the kind of slow attention that turns a fruit bowl into a small mystery. Jaskevich carves figures in stone, often combining marble, cypress wood, and found objects in the Greco-Roman tradition. All three are technically classical. None are painting or carving exactly what they appear to be.